Cirque du Soleil’s art is magic

LUZIA Cirque du Soleil

My many-years-single-working-woman daughter treated us once again – a little late but in honor of Single Working Women’s Week – to a performance of the Cirque du Soleil at United Center in Chicago. Well, in the parking lot of the United Center, because the show requires such specialized equipment and rigging – due to the many extraordinarily imaginative features it includes – that they can’t set it up inside the building. They have to bring their own tents and equipment.

Imagine: a wall of water, falling from 60 feet above and not splashing the audience at all because of the carefully designed landing space on the elevated platform stage. Imagine safety railings that flip out from the edge of the circular stage so that no audience members are in danger of being struck by the wildly swinging platforms from which acrobats fly into the air and land across the stage with an ease that belies the disciplined agility of their efforts.

The physiques of the acrobats are inspiring. The women, scultped to perfection by their rigorous training and diligent practice. The men, muscular beyond any ordinary body – the contortionist so flexible it’s creepy, the strong man so intensely muscled that he can hold himself up by two ropes with both arms extended straight out. Unbelievable.

The clown is nothing like the old-fashioned image of a painted nose and big shoes doing stupid things. This clown is a central figure in the adventure of the story of LUZIA, this year’s 2017 Cirque du Soleil show. His antics are amusing and intelligent.

The sight that most awed me was the bigger-than-life-sized horse “puppet” made of pierced-metal, sculpted into real-horse parts with joints that were fully articulated – providing the priceless beauty of motion that only the body of a horse displays. The horse was operated by three dressed-in-black people inside the animal. Remarkably, their visible presence did not deter us from fully enjoying the animal in action. So lifelike. So beautiful. And the mane, flowing in the breeze. I’d love to meet the team that made this creature.

Anyway, the costumes, the lighting, the staging, the characters and the story in this show are well worth the money they charge for tickets. If you’re never seen a Cirque du Soleil performance – this is our second, and we are in love with the thing – save up if you have to. It’s a show you will remember for a long time – great place to go with a single friend to celebrate Single Working Women’s Day or Week. Or any time. The show is touring around the globe.





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